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Health Constructor

In this issue, we are publishing the concept of a standard clinic designed by UNK Project, which took second place in the competition organized by the Union of Architects of Russia in collaboration with the Healthcare Ministry.

02 September 2020
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The typical and standardized projects, by and large, have been firmly standing their ground for the last seven decades, yet recently their agenda got a new development impulse. KB “Strelka” has conducted a competition of standardized housing projects; similar tasks were posed by the integrated home-building factories modernization program. A year ago, a competition was held for projects of nursing homes. Now new proposals have appeared about setting similar goals for hospital buildings. The concept by UNK Project is one of such proposals; it scored second place in this competition in the nomination “the largest hospital buildings for 400+ beds”.

Health Constructor
Copyright: © UNK project


Health Constructor
Copyright: © UNK project


The very name of the concept – “Health Constructor” – explains its two main goals and characteristics. “Constructor” implies that this project is flexible and can be scaled up to fit various conditions, while its structure can also be varied. “Health” implies the ideological basis of the image solution of the building, which is regarded not so much as a place for sick people as a place where people get well.

Julius Borisov, UKN Project

“People’s health is the cornerstone of our concept. For this, we developed special functional zoning, and the very architecture of the building, which is no longer of the “hospital” kind but rather looks like a health center. And, since this is still a project to be duplicated, we came up with a clear and simple solution, which can be scaled up and varied in order to avoid a situation when all of our cities will get look-alike hospitals”.


Scheme and function constructor

Let us start with the land site. Oftentimes, when a stock solution is “landed” on some specific territory, various difficulties pop up having to do with “tying it” to the specific location, entailing additional expenses. In order to avoid that, UNK Project scales up the “construction set” principle on the “game field” itself, i.e. proposes to functionally divide the land site in accordance with some certain logic. The territory of the clinic is divided into four zones – a private one for the hospital patients, a public space with guest parking spaces, isolated blocks (for example, the infection department), and the transport/maintenance zone. All of this is also tied in with the transport scheme: there are five independent drive entrances to the territory, which divide the flows of the visitors and the personnel, the ambulance stations, and the isolated departments.

Health Constructor. The planting diagram
Copyright: © UNK project


Health Constructor. The transport diagram
Copyright: © UNK project


The same kind of logic is used to present a “ready-made” or “pre-packed” landscaping concept: more abundant vegetation for smaller hospital yards, green “wing flats” for the anatomical/pathological unit, lawns in the area of the main pedestrian routes, convenient personnel parking places, loading bays, and the ambulance helicopter landing. 

Health Constructor. The functional zones
Copyright: © UNK project


Now about the construction set of the building itself: in order to have an opportunity to comparatively quickly fine-tune the project to different settings and surroundings – for example, to build a clinic in Yakutia or make its ward units larger in accordance with the current requirements – the structure of the volume is divided into 11 functional units that can be assembled pretty much like building blocks. At the same time, these blocks are independent enough; they can be taken out, or, on the other hand, added up, as well as divided in accordance with the construction priorities depending on the current task.

Health Constructor. Adaptation during design and operation
Copyright: © UNK project


Health Constructor. Adaptation during design and operation
Copyright: © UNK project


The nucleus of such a construction set is the central group of public spaces with a lobby and a management office, around which the other units are built up, both vertically and horizontally. These are groups of outpatient clinics – one for adults, and one for children – ward units, a maternity hospital, and another three isolated blocks, which technologically must stand at a certain distance from the others – the infection and pathological units, and the ambulance station.

Health Constructor
Copyright: © UNK project


The central group is not just an entrance with a reception desk, but a full-fledged public space where one can take a rest, visit with the patients, buy flowers, check into a drugstore, or have a bite to eat. By turning this rather spacious zone into the conceptual center of the clinic, UNK Project emphasizes a humanistic character of modern interpretation of the very hospital function – people get into clinics not to be sick and to suffer but to recover and get healthy. This is why on 3D renders the entrance group looks rather like the lobby of a health resort, or a fitness club, or a community center.

Health Constructor. The main entrance in an individual block
Copyright: © UNK project


Further on, the concept establishes some certain rules of unit arrangement – what to place where in order to facilitate navigation for doctors and patients, as well as reduce the time of them moving along the clinic’s corridors. The function provides for necessary division of flows of the patients and personnel.

Health Constructor. Construction set principle: 11 blocks
Copyright: © UNK project


On the first floor, next to the entrance block, the outpatient clinics and the first-aid station are placed, as well as an emergency room, admission departments of hospitals, and a department of palliative and outpatient oncological care. The second floor contains an auditorium, laboratories, situated at an equal distance from the other departments, functional diagnostics, and X-ray rooms. The third floor provides the connection between the hospitals and the operating theater and the intensive care wards. The fourth floor is occupied by the maternity center and the outpatient clinic for adults. The fifth floor is neurological; the sixth is cardiology. The underground level comprises the personnel premises such as cloakrooms, a canteen, a management office, and a gym.

Health Constructor. Assembling blocks and adapting solutions
Copyright: © UNK project


Health Constructor. Connections of the functional content of the blocks
Copyright: © UNK project


The benefits of standardization 

The complex and rigid technology of hospital construction requires special knowledge from the designers, and this is why hospitals lend themselves to standardized construction. But then again, according to the UNK idea, this does not keep the project from being flexible – its inherent modular character is ensured by a single construction pitch and a standardized width of the premises within the block. This, in turn, helps to adapt it to the current needs both at the design and operation stages. For example a 5400x4800 mm grid cell may contain two rooms 12 square meters each, or one 24-square-meter room, which means that you can easily reduce or increase the number of treatment rooms or hospital beds, if such need arises. The “construction set” also makes it possible to add extra ward departments, should this be necessary, or fine-tune the structure of the building to the specifics of the land site. 

Health Constructor. Adapting to various combinations of the land site
Copyright: © UNK project


Health Constructor. Simplified masterplan
Copyright: © UNK project


Identity and Standardization 

As for the architectural image of the building, it will not be compromised because of such a “standardized” approach either. The architects proposed not to leave the hospital buildings devoid of their regional identity by introducing a possibility of experimenting with the form making of the entrance group. Its architecture can also reflect both special functional requirements and the region-specific identity. The central group of the premises can be designed in the form of a nomads tent, an igloo, or a flock of houses with pitched roofs. Thus, the central “non-standardized” element of the building, the one that meets the visitors’ eyes more often than the others, solves the problem of the hideously look-alike standardized clinics.

Health Constructor. The entrance block reflects the specifics of the Russian regions
Copyright: © UNK project


This technique “lives” in the same ballpark with the industrial construction principle – the quick-mount technology is achieved by using a system of facade modules. They will be supplied to the construction site ready-made, which will fully ensure the required construction rate and efficiency. The absence of the scaffolding – and the modules are mounted from inside the building, which provides a possibility for mounting them parallel to building up the main bulk – can reduce the time required for the facade work down to 1.5-2 months.

Health Constructor. The facade modules
Copyright: © UNK project


The background pattern of the facades of the clinic is composed on the basis of an identical approach, from modules of three sizes: the width of the ward for the hospitals (3.6 m), 1.35 meters for outpatient clinics, which fits all types of rooms there, and an all-purpose 1.8 unit for all the other blocks. The height is the same everywhere (3.2 meters), and equals the height of the standard floor.

Health Constructor. The facade modules
Copyright: © UNK project


In addition, the facade pattern can be executed in different colors, and can have accentuated surfaces, upon which, according to Julius Borisov, “you can apply different types of ornaments, getting different meanings, taking into account the specifics of the geographic context, or the local mentality, or the local climate.” The modules also allow for changing the thickness of the heat-retention layer, changing the percentage of glazing, making balconies in the hospitals, and using different decoration materials – essentially, for constructing different buildings.

Health Constructor. The facade modules
Copyright: © UNK project


Thus, “Health Constructor” solves two main problems of standardized construction that have to do with finding the individual in the standard. First, due to its being flexible and adaptive, it makes it possible to avoid excessive (and expensive) fine-tuning, which oftentimes pops up when stock solutions are used. And, second, it helps prevent the monotony of hospitals where function often prevails over architecture. The modern interpretation of the reusable project from the UNK Project combines technology and architecture in a graceful integrated manner, based on the scheme of mutual arrangement of blocks, which is so convenient that it takes on universal features, endowing it, within the framework of this concept, with as much flexibility as possible, both on the macro and micro level. Which, as a consequence, possesses all of the necessary prerequisites for achieving the main goal stated by the authors – namely, that of turning the hospital into a human-friendly and efficient space: a place where people get healed.
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    Health Constructor. Plan of the underground floor
    Copyright: © UNK project
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    Health Constructor. Plan of the first floor
    Copyright: © UNK project
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    Health Constructor. Plan of the second floor
    Copyright: © UNK project
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    Health Constructor. Plan of the third floor
    Copyright: © UNK project
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    Health Constructor. Plan of the fourth floor
    Copyright: © UNK project
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    Health Constructor. Plan of the fifth floor
    Copyright: © UNK project
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    Health Constructor. Plan of the sixth floor
    Copyright: © UNK project
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    Health Constructor. Plan of the first floor of the ambulance station
    Copyright: © UNK project
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    Health Constructor. Plan of the second floor of the ambulance station
    Copyright: © UNK project


02 September 2020

Headlines now
Home Base
Working on the new building for Letovo Junior School – opened to students in autumn 2025 in the MSU Valley – the architects of UNK, following the client’s vision, subordinated both façades and interiors to the theme of “home”. Multiple variations of pitched roofs, a city skyline traced across glass balustrades, wooden textures, and a whole series of micro-spaces for retreat within public areas are all at the disposal of primary and middle school students. We take a closer look at the new school building – and at how it interprets current trends in educational environments.
Doubles Match
The architecture of the Tennis Palace built in Luzhniki Olympic Complex, designed by Arena Design Institute, was shaped by three factors: the proximity of the brutalist Druzhba Arena, the closeness of the Moskva River and the metro bridge overpass, as well as the specifics of the function – tennis courts require large spans, abundant light, yet at the same time protection from direct sunlight. The architects divided the building into several blocks, playing on contrast, which is further emphasized by the façades developed in collaboration with TPO Reserve and Vladimir Plotkin.
Microdynamics of Macroprocesses
Given the proximity of the multifunctional complex SOLOS to Sokolniki Park and to a major transport hub, Kleinewelt Architekten embedded in the design of the two high-rise towers a sense of dynamism more characteristic of natural phenomena than of man-made objects. Without the authors’ diagrams, this logic is not easy to decipher, although the eye immediately detects a pattern and tries to grasp it. It seems to us that one tower contains the impulse of a bud about to open, while the other evokes the movement of a lithospheric plate. Let us try to unravel it together.
The Space of Post-Cubism
Sergei Tchoban and Alexandra Sheiner, of Studio CHART, created for the exhibition of “post-cubist” sculpture by Beatrice Sandomirskaya – a talented and even “mainstream” artist, yet almost unknown even to art historians – a space akin to her sculptural language: solidly built, confidently stereometric, and subtly expressive. It curves, emphasizing the mass of the sculpture, envelops the viewer, and guides them from one perspective to another, from a generic “shrine” to a “Madonna”.
The Value of Open Space
For the site near the Barrikadnaya Metro Station, Sergey Skuratov developed five projects between 2020 and 2025. Two of them were ones that won the client’s invitation-only competitions. The fifth was recently selected by the Mayor of Moscow for implementation. The project is vivid and sculptural, expressive, eye-catching, and engaging – very much in line with the spirit of our time. And yet, this project is mid-rise rather than tall. In its northwestern part, near the metro and Druzhinnikovskaya Street, it shapes a comfortable urban environment. On the opposite side, it opens up, allowing sunlight into the courtyard and creating a spatial pause within the dense city fabric. How it is organized, what geometric principles underlie it, and why it takes this form – all this is explored in our article.
Coming From the Cold
The ArchBukhta Festival remains one of the few events in Russia where participants go through the entire process of creating an architectural object – from concept to construction. And they do so on the shores of Lake Baikal, in dedication to it. This year, GAFA took part and shared its experience: a local legend, a team-specific design code, friendship, as well as ice skating and endurance in freezing temperatures all contributed to gaining something more than just an award.
Symphony of Water and Brick
The Alter residential complex, designed by Stepan Liphart and built on a bend of the Okhta River, is an example of a “drawn house”: the number of original architectural details is virtually immeasurable. As a result, ribs, projections, and recesses create a picturesque silhouette even without a significant variation in height. Both composition and material respond to the proximity of the river and to the red-brick factory building dating back to the early 20th century. The project was also significantly shaped by recommendations from the city’s chief architect. More details in our article.
Wave and Vertical
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Office on Trubnaya
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The First International
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In Memory of Valery Kanyashin
On Friday, February 27, architect Valery Kanyashin passed away – co-founder of Ostozhenka Architects and the author of many significant buildings in Moscow. We publish a text by Anatoly Belov in memory of Valery Kanyashin.
Hypertext in Space
As part of the exhibition “What We Have We (Do Not) Keep”, Sergey Tchoban, the Museum of Architecture, and the CHART studio experiment with an eco-conscious approach to exhibition design, with thematic cross-references and even with publicistic reflections on the necessity of preserving modernism, the roots of contemporary architecture, and the birth of ideas. All of this makes the exhibition, with its light and transparent design, look quite innovative. The elements – both “material” and conceptual – are familiar, yet their combination is far from conventional.
The Outline of “Foundation”
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The Flying Horizontal
“A house in the spirit of Wright”, as architect Roman Leonidov describes it, pointing to his source of inspiration, was built on a challenging wedge-shaped site. To achieve a sense of intimacy and secure good views from the windows, the entire volume had to be shifted toward the far boundary, turning the house “back” to the neighboring mansions. The main façade demonstrates time-tested techniques often employed by the company: articulated horizontals, a weightless roofline, and a triad of materials – light plaster, dark slate, and warm wood.
Needles of Horizon Contemplation
The “House of Horizons”, designed by Kleinewelt Architekten in Krylatskoye, is carefully thought out at the stereometric level – from the logic of how the volumes interlock (and, conversely, how gaps are articulated between them) to the triangular balconies that give the building its striking, slightly bristling silhouette.
The Red Thread
A linear park project prepared by Alexey Ilyin studio for the improvement of a riverbank in one of the residential districts seeks to reconnect people with nature. Two levels of the embankment invite visitors to contemplate the landscape while at the same time protecting the riverbank from excessive human impact. The “aerial street” links functional zones and the opposite banks, creating new points of attraction along the way: balconies, bridges, and even a “grotto”.
Spindle and Thread
The concept of the Waver residential complex in Yekaterinburg draws inspiration from the past of the Parkovy district. In order to preserve the memory of the late-19th-century flax spinning mill once located here, the architectural company KPLN turns to the theme of textiles and weaving. The project’s main expressive device is a system of ribbons made of perforated weathering steel – a material that, in such volumes, has arguably not yet been used in Russian residential projects.
From Ski Resorts to Year-Round Recreation Clusters
In mid-December, several architectural firms gathered to discuss a “seasonal” topic: the prospects for the development of domestic ski tourism. Where is modern infrastructure already in place, where do only remnants of the Soviet legacy remain, and where is there still nothing – but projects are underway and soon to be completed? This article explores these questions.
Woven Into Sokolniki
Over the past few years, high-rise residential construction in former industrial zones has become the main theme of Moscow architecture. Towers are springing up here and there – but the question is what kind of towers they are. The residential complex CODE Sokolniki, designed by Ostozhenka Architects, is a project where every detail has been taken care of. The authors are attentive to the history of the site, the continuity of the urban fabric, the skyline, and visual corridors. They also proposed a motif with the lyrical name “scarf”. We take a closer look at the volumetric composition and the large-scale décor “woven”, in this case, out of terraces and balconies.
Stepan Liphart and Yuri Gerth: “Our Program Is Aesthetic”
The studio of Stepan Liphart, an architect known for his distinctive signature style and one-off projects, now has a partner. Yuri Khitrov, a specialist with a broad range of competencies, will take on the part of the work that distracts one from creativity but drives the business forward. One of the aims of this partnership is to improve the urban environment through dialogue with clients and officials. We spoke with both sides about their ambitions, the firm’s development strategy, shared values, and the need for pragmatism. And why the studio is called “Liphart & Gerth” only became clear at the very end of the interview.
The Copper Mirror
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“Strangers” in the City
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Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
Mountains, Groves, and Ancestral Towers
The year-round mountain resort Armkhi situated in Russia’s Republic of Ingushetia is positioned as a destination for calm family recreation and has well-established traditions shaped by its hundred-year history and the culture of the region. The development program prepared by the Genplan Institute of Moscow preserves the resort’s identity while expanding its offerings and introducing new types of tourist leisure. In the near future, the resort will feature a balneological center, a thermal complex, an interactive museum, an extreme park, and, of course, new ski slopes.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.