Sergey Skuratov architects:

Julia Tarabarina. Three Dimensions of the City

We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived

Julia Tarabarina. Going, Going, Gone!

The housing complex “Composers’ Residences” has been built in accordance with the project by Sergey Skuratov, who won the international competition back in 2011. It all began from the image search and “cutting off all spare”, and then implementing the recognizable Skuratov architecture. It all ended, however, in tearing down the buildings of the Schlichterman factory, whose conservation was stipulated by all the appropriate agencies prior to approving Skuratov’s project. This story seems to be educational and important for understanding the history of all the eleven years, during which the complex was designed and built.

Julia Tarabarina. ​The Thin Matter

The house named “Medny 3.14” (“Copper 3.14”) is composed of two textures, each of which resembles in its own way some kind of precious fabric, and of three units, each of which is oriented towards one cardinal point. The architecture of the house absorbs the nuances of the context, summing them up and turning them into a single rhythmic structure. In this article, we are examining the new, just-completed, house designed by Sergey Skuratov in Donskaya Street.

Julia Tarabarina. Sergey Skuratov: “A skyscraper is a balance of technology, economic performance, and aesthetic appeal”

In March, two buildings of the Capital Towers complex were built up to a 300-meter elevation mark. In this issue, we are speaking to the creator of Moscow’s cutting-edge skyscrapers: about heights and proportions, technologies and economics, laconicism and beauty of superslim houses, and about the boldest architectural proposal of recent years – the Le Corbusier Tower above the Tsentrosoyuz building.

Julia Tarabarina. ​Yards and Towers: the Samara Experiment

The project of “Samara Arena Park”, proposed by Sergey Skuratov, scored second place in the competition. The project is essentially based on experimenting with typology of residential buildings and gallery/corridor-type city blocks combined with towers – as well as on sensitive response to the context and the urge to turn the complex into a full-fledged urban space providing a wide range of functions and experiences.

Julia Tarabarina. ​In the Space of Pobedy Park

In the project of a housing complex designed by Sergey Skuratov, which is now being built near the park of the Poklonnaya Hill, a multifunctional stylobate is turned into a compound city space with intriguing “access” slopes that also take on the role of mini-plazas. The architecture of the residential buildings responds to the proximity of the Pobedy Park, on the one hand, “dissolving in the air”, and, on the other hand, supporting the memorial complex rhythmically and color-wise.

Julia Tarabarina. Sergey Skuratov: “The school was to become the gem of Garden Quarters. All of us waited for this for thirteen years.”

In this issue, we are interviewing Sergey Skuratov about the results of the competition for the building in the center of the residential complex, on which the architect has been working since 2006. We are examining the project that never did win, making an attempt to study the case in detail.

Julia Tarabarina. ​Just a Mirror for the Sun

The house that Sergey Skuratov designed in Nikolovorobinsky Alley is thought out down to the last detail. It adapts three historical facades, interprets a feeling of a complex city, is composed of many layers, and catches plenty of sunlight, from sunrises to sunsets. The architect himself believes that the main role of this house is creating a background for another nearby project of his, Art House in the Tessinsky Alley.

Alyona Kuznetsova. ​Cape of Good Hope

In this issue, we are showing all the seven projects that participated in a closed-door competition to create a concept for the headquarters of Gazprom Neft, as well as provide expert opinions on those projects.

Nina Frolova, Julia Tarabarina. We work remotely: Moscow architects about working from home during the pandemic

In this article, we are speaking to the leaders of a few Moscow architectural companies about their plans for remote work caused by the #COVID19 pandemic.