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31.05.2021
Julia Tarabarina. Sergey Tchoban: “I believe it’s very important to preserve this city as a record of our political and economic history, with all of its contrasts and contradictions”
Although originally we planned to speak in this interview with Sergey Tchoban about high-rise construction, the conversation turned out to be 70% about meditation on the ways of regenerating the historical city and about the role of the city fabric as the most objective and unbiased historical record. And, as for the towers, which manifest social contrasts and leave a lot of junk when torn down, the conversation was about the expected construction norms and regulations. We took this interview one day before the Lakhta-2 project was announced, and this is why this newsbreak is not commented upon in any way in this article.24.12.2020
Lara Kopylova. The Magic of Rhythm or Ornament as a Theme
Designed by Sergey Tchoban, the housing complex Veren Place in St. Petersburg is the perfect example of inserting a new building into a historical city, and one the cases of implementing the strategy that the architect presented a few years ago in the book, which he coauthored with Vladimir Sedov, called “30:70. Architecture as a Balance of Forces”.24.12.2020
Lara Kopylova. Sergey Tchoban: “You need to dress your buildings in the kind of skin that will age predictably and gracefully”
In this issue, we are speaking to Sergey Tchoban about the principles of modern architecture in the light of his “30:70” theory.15.10.2020
Julia Tarabarina. The Contact
The Istituto Centrale per la Grafica in Rome presents Sergei Tchoban’s exhibition “Imprint of the future. Destiny of Piranesi’s City”. The exhibition includes four etchings, based on Roman architectural views of the XVIII century complemented by futuristic insertions, as well as a lot of drawings that investigate the same topic, at times quite expressively. The exhibition poses questions, but does not seem to give any answers. Since going to Rome is pretty problematic now, let’s at least examine the pictures.07.10.2020
Julia Tarabarina. The City of the Sun
Jointly designed by Sergey Tchoban and Vladimir Plotkin, the VTB Arena Park complex can arguably be considered the perfect experiment on solving the centuries-old controversy between traditional architecture and modernism. The framework of the design code, combined with the creative character of the plastique-based dialogue between the buildings, formed an all-but-perfect fragment of the city fabric.29.09.2020
Julia Tarabarina. Lions on Glass
While reconstructing the facades of Building 4 of Moscow Hospital #23, SPEECH architects applied a technique, already known from Saint Petersburg projects by Sergey Tchoban – cassettes with elements of classical architecture printed on glass. The project was developed gratis, as a help to the hospital.20.03.2020
Nina Frolova, Julia Tarabarina. We work remotely: Moscow architects about working from home during the pandemic
In this article, we are speaking to the leaders of a few Moscow architectural companies about their plans for remote work caused by the #COVID19 pandemic.06.09.2018
Julia Tarabarina. Sergey Tchoban: “Sports facilities projects are always customized and individual”.
After the completion of FIFA-2018, whose main venue was the reconstructed Luzhniki Stadium, we are speaking to Sergey Tchoban about the specifics of the reconstruction project, as well as about the architect’s attitude towards sports and the subtleties of designing sports facilities.13.08.2018









