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The Union of Art and Technology

His interest for architecture of the 1930’s is pretty much the guiding star for Stepan Liphart. In his project of the “Amo” house on St. Petersburg’s Vasilyevsky Island, the architect based himself on Moscow Art Deco - aesthetically intricate and decorated in scratch-work technique. As a bonus, he developed the city block typology as an organic structure.

02 July 2020
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This is already the second house that Stepan Liphart designed on the Vasilyevsky Island and the third that he designed in St. Petersburg (the “Renaissance” residential complex is already complete), all them designed for the AAG development company. “Little France”, the house that is currently being built on the 20th line, is an attempt to revive the beauty of the Kamennostrovsky Avenue, and revisit the tenement of the Silver Age as the ideal of modern housing. The hotel-and-housing complex “Amo” on the 12th line continues and develops this idea. 

It will be constructed in the center of the Vasilyevsky Island, between the Maly and Sredny Avenues, surrounded by houses built during the historicism period: with bay windows in the dress circles, abundance of fine plastique, and with characteristic colors of St. Petersburg, alternating with inclusions of Soviet and post-Soviet times. 

The Bremme house as symbolic capital

The “Amo” residential complex fills in the lacuna left after the demolition of several buildings that belonged to the factory of essential oils and paints, built by the Bremme brothers in 1897–1898. During the entire XX century, the factory produced vitamins and all sorts of medications; the factory was torn down only in 2006. The wooden mansion is older - it was built in the early XIX century, and reconstructed twice - in 1851 and 1906 - then its facades got ceramic panels, which are now kept in the museum belonging to the ceramics studio “Keramax”. During the siege of Leningrad, there was a city-famous vitamin store working in this mansion. 

A few years ago, there was a lot of public concern about the prospects of demolishing the wooden house and making up for it by recreating its facade as a part of the residential complex. Then the project got a new investor and a new architect, while the mansion, which by the beginning of the XXI century fell into decay, got a status of a monument of architecture of federal importance. Currently, there are plans for restoring it and making it a part of the local identity. The future function of the building is still to be defined - expectedly, it will house a private school or will be rented out for an office. The new house embraces the mansion with its wings, not really coming close to it. Just like “Little France”, the new house will get a courtyard, yet here it is interpreted differently - the central place on the redline is occupied by the restored mansion.

The birds-eye view from the south. “Amo” residential complex
Copyright: © Liphart Architects


The master plan of the plot. “Amo” residential complex
Copyright: © Liphart Architects


Infrastructure of happiness 

The second difference from the project on the 20th line is the fact that the southern unit of “Amo” is a hotel. The land owner already has a “Nash Otel” (“Our Hotel”) property nearby, on the 11th line, and this same operator will run the new hotel. The hotel is also allotted a portion of the yard; it will have a restaurant on the first floor and a fitness club on the top floor, which will also be accessible to the permanent residents. This way, in addition to the unique mansion, the residents will get the “infrastructure of happiness” - sports, food, and a place for rendezvous (not mentioning the French windows reaching to the floors and such “New York” housing formats as two-floor city-houses with individual entrances; patios and mansards - in a word, this is a great place to live in).

The hotel adjoins the existing building of the hospital with its southern wall, its windows facing the western and northern sides. On the other side of the complex, there is a green yard with a separately standing two-story Stalin building that once used to be a kindergarten.

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    The perspective view on the 12th line form the south. The hotel is in the foreground. “Amo” residential complex
    Copyright: © Liphart Architects
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    The overview of the yard facade of the hotel. “Amo” residential complex
    Copyright: © Liphart Architects
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    The first floor of the hotel. “Amo” residential complex
    Copyright: © Liphart Architects
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    The standard floor of the hotel. “Amo” residential complex
    Copyright: © Liphart Architects
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    The section view of the hotel. “Amo” residential complex
    Copyright: © Liphart Architects


The style of the new building can be defined as Art Deco, the street-side five-story facades being closer to the scale of the historical surroundings - they are meticulously drawn, decorated with cornices above the hotel entrance and above the pilastered frontons above the restaurant entrance, the line of the cornices continuing the cornices of the existing hospital building.

The organic St. Petersburg: a combination of natural and man-made

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    The "Organic St. Petersburg" concept, proposed by Aleksey Levchuk and Stepan Liphart within the framework of their curator project for the "Ottepel« (»Thaw") workshop, organized by the “Project Baltia” magazine, supported by the Committee for Ci
    Copyright: © Stepan Liphart, Aleksey Levchuk
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    The "Organic St. Petersburg" concept, proposed by Aleksey Levchuk and Stepan Liphart within the framework of their curator project for the "Ottepel« (»Thaw") workshop, organized by the “Project Baltia” magazine, supported by the Committee for Ci
    Copyright: © Stepan Liphart, Aleksey Levchuk
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    The "Organic St. Petersburg" concept, proposed by Aleksey Levchuk and Stepan Liphart within the framework of their curator project for the "Ottepel« (»Thaw") workshop, organized by the “Project Baltia” magazine, supported by the Committee for Ci
    Copyright: © Stepan Liphart, Aleksey Levchuk


Houses on the medieval square 

The yards of St. Petersburg have rather wayward shapes. Although a part of the city’s mythology, the famous well courtyards are not particularly beautiful, for the rare exception of some of them, such as the Lidval Tauria House on the Rubinsheina Street. The “Amo” house is by no means of the “well courtyard” type - it is rather spacious, but the inside walls stand in a zigzag pattern. Which, among other things, makes it possible to better expose the southern wall to the sunlight, providing sufficient insolation. On the other hand, the jagged contour of the yard-side facades serves to diversify the rhythm and the composition: each fragment is subjected to the common concept, yet has a face of its own - as if what we are seeing is a group of small houses with narrow facades, structured by moldings and cornices, bay windows, and tiers with shifted axes. In addition, each of the volumes has its painting pattern, which makes navigation easier, making the perception of the housing anything but trivial: instead of the number of the hallway entrance, one will be able to speak about the facade with a floral or maritime pattern.

It’s hard for a person to perceive a monotonous facade with a length of one hundred meters, the ideal length being 20-30 m, as in a historical city. This, specifically, was mentioned by Allan Jacobs in his book “Great Streets”.  Back in his time, Mikhail Filippov used in his “Italian Quarter” the technique of designing the composition of a big house as consisting of several constructions of various epochs, with facades of three to five axes, thus recreating the humanistic principle of historical construction. In the case of “Amo”, however, a slightly different principle is proposed: placing a few several houses around a small square, yet the purpose is, by and large, the same.

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    The overview of the south yard facade of the residential section. “Amo” residential complex
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    The perspective of the west yard facade of the residentil section. “Amo” residential complex
    Copyright: © Liphart Architects


Unlike the grand courtyard of “Little France”, the in-block square of “Amo” has an irregular shape. Generally speaking, landscaping the yard is a virtue nowadays. Therefore, the type of the yard is important. The Moscow yards, in which the Russian village can still be discerned, no longer satisfy us because they tend to eventually turn into a wasteland. Neither do the well courtyards of St. Petersburg - dramatic, yet pretty somber. As for the yard as a medieval square, however, which makes it possible to single out private, semi-private, and public spaces - this is quite a different matter. In his book “City Planning According to Artistic Principles”, Camillo Sitte claims that the irregular character of medieval squares makes them look all the more picturesque, and full of harmony. However irregular, they still look very tidy because of the main “hero” - the cathedral. And in the complex on the Vasilyevsky Island, the role of the “cathedral” is played by the Bremme mansion.

The ornamental style: a union of art and technology

The ornamental facades - a few types of patterns for panels with paradise flowers and trees, drawn by the graduate of the St. Petersburg Academy or Fine Arts, Anastasia Direktorenko - are essentially a reference to the “Openwork” house designed by Andrey Burov on the Leningrad Avenue and another house of his, Tverskaya, 25, with scratch-work decor executed by Favorsky’s design. He had an ability to combine technology and art, and was actually going to mass-produce his “Openwork House”, which we are now considering to be unique.

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    The perspective view on the 12th line form the north. “Amo” residential complex
    Copyright: © Liphart Architects
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    Fragment of the southwest part of the residential section, view from the yard. “Amo” residential complex
    Copyright: © Liphart Architects
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    The first floor of the residential section. “Amo” residential complex
    Copyright: © Liphart Architects
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    The third floor of the residential section. “Amo” residential complex
    Copyright: © Liphart Architects
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    The section view of the resdidential section. “Amo” residential complex
    Copyright: © Liphart Architects


As for the colors, Stepan Liphart proposed the reserved and modern kind, suitable for a house that is already rich in decor: emerald, ashen, chocolate, and milk-and-coffee.

Yet another task was implementing the scratch-work technique, so loved by the architects of Renaissance and their devotees of the mid-XX century and the present day. From the XV to XX century, scratch-work was done on several layers of stucco. In “Amo”, the architects decided to simulate the renaissance technique by using volumetric threaded ceramic panels, where the first layer of paint conceals another one, more contrastive, which is more durable and more dependable than stucco, and, therefore, better meets the requirements for the modern facade. The cornices will be fully made of fibrous concrete. Chances are, this technology has a brilliant future. Dissected into rectangles, the walls refer us not only to the Art Deco and Art Nouveau painted panels, but also to quattrocento marble intarsia. The degree of flatness and relief of the facades is observed due to the cornices designed by the architects. What is also important is the small scale of the yard facades - small and private, literally two panels wide - often coinciding with the size of the apartments. Another this that is aligned with the scale of the apartments is the street facades, which means that the building has human-friendly proportions - the main prerequisite for a long and happy life in a historical city.

02 July 2020

Headlines now
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.
The Heart Lies Within
The second-phase building of the Evgeny Primakov School already won multiple awards while still in the design stage. Now that it’s completed, some unfinished nuances remain – most notably, the exposed ceiling structures, which ideally should have been concealed. However, given the priority placed on the building’s volumetric composition, this does not seem critical. What matters more is the “Wow!” effect created by the space itself.
Magnetic Forces
“Krylatskaya 33” is the first large-scale residential complex to appear amidst the 1980s “micro-districts” that harmoniously coexist with the forests, the river, the slopes, and the sports infrastructure. Despite its imposing scale, the architects of Ostozhenka managed to turn the complex into something that can be best described as a “graceful dominant”. First, they designed the complex with consideration for the style and height of the surrounding micro-districts. Second, by introducing a pause in its tallest section, they created compositional tension – right along the urban planning axis of the area.
Orion’s Belt
The Stone Khodynka 2 office complex, designed by Kleinewelt Architekten for the company Stone, is built with an ergonomic layout following “healthy building” principles: natural light, ventilation, and all the necessary features for an efficient office environment. On the outside, it resembles – like many contemporary buildings – an iPhone: sleek, glowing, glass-and-metal, edges elegantly rounded. Yet, it responds sensitively to the Khodynka context, where the main theme is the contrast between vertical and horizontal lines. The key intrigue lies in the design of the “stylobate” as a suspended passage, leaving the space beneath it open for free pedestrian movement.
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
In this article, we discuss the debates surrounding the circus competition and the demolition of the CMEA building with the most renowned architectural critic of our time. A paradox emerges in the process: while nostalgia for the Brezhnev era seems to be in vogue in Russia, a landmark building – the “axis” of the Warsaw Pact – has been sentenced to demolition. Isn’t that strange? We also find out that wow-architecture has made a comeback as a post-COVID trend. However, to make a truly powerful statement, professionals still remain indispensable.
Exposed Concrete
One of the stages of improving a small square in the town of Lermontov was the construction of a skatepark. Entrusting this part of the project to the XSA team, the city gained a 250-meter trick track whose features resemble those of land art objects – unparalleled in Russia in both scale and design. Here’s a look at how the experimental snake run in the foothills of the Caucasus was built.
One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.