По-русски

Biotechnogenic Duality

A concept of nature and technology combined in the interior of company MRTS, performing construction of major subsea pipelines.

08 June 2016
Object
mainImg

The interior has been designed for “Mezhregiontruboprovodstroy” (MRTS), whose specialization is subsea pipe laying and reconstruction. The complicated specifics of the client’s work have in many ways determined the character of the project. The task of the architects of Arch group bureau was not only to build an office, but to represent the company’s image, create a space for work and inspiration for the whole MRTS team.      

The office, with the total area a bit exceeding 2 000 sqm, is located in a building in the south of Moscow, and occupies the top, ninth floor. However, despite the floor-to-ceiling glazing, the room cannot boast of a marvelous view from the window – all around is a housing development and industrial territories. Another problem is the original layout: tiny offices, narrow corridors and fixed position of the communication core. The architects proposed to transform this so irrationally-used space into a modern, wide open space designed in a single stylistics. They arranged all the working areas along the perimeter of the floor, closer to the light, whereas the central part was allotted for meeting rooms, offices, coffee-points for the employees and two reception zones.

MRTS Office. Implementation, 2015 © Arch group
MRTS Office. Floor plan © Arch group
  

A perfectly traditional and maximally convenient layout has obtained a bold and original form. The main idea of the project was a symbolic union of natural and manmade elements. As explained by the authors – Alexey Goryainov and Mikhail Krymov – they tried to play with the idea of “eternal confrontment of nature and man”, in which the man has finally learnt to use the resources of the planet without harming it. This resulted in a contrast of natural and technogenic materials, calm and blazing colors, warm wooden and cold metallic and glass surfaces.    

You can feel this duality of the interior already in the lift lobby, where the rich-yellow stemalite walls compete with milky-matt horizontal floor and ceiling surfaces. A continuous line of built-in lights creates a soft glow in the whole room, reflected in the glossy surfaces of the glass. The fine line separating the snow-white floor from the yellow walls is highlighted in black, which creates an impression that the walls do not touch the floor. Black has become the symbol of technological effectiveness of the extraction and transport of minerals. Yellow, on the contrary, is associated with sun and sand shore.

MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group
       

On both sides of the lift lobby are the two main office areas – MRTS Engineering and MRTS Holding. The reception faced at the entrance to the main working area reflects the sea theme, so familiar to the employees. Minimum details, metal walls, white ceiling and floor, reception desk and stands for house-plants: all of this shapes a wonderful image – a snow-white ship on the background of waves. It seems that sprays of water are continuously falling down, shining in the sun, and the deck of the ship slightly fluctuates. The authors could achieve this effect by using silvery perforated alucobond with backlight for wall finishing. Round holes of different diameters, lit from the inside, look like small bubbles even close-up. The role of the ship is performed by the reception desk made of corian – it is multilayered, flowing and smoothly growing from the white floor. Above it – like a reflection in water – rises the ceiling construction, with lamps hidden in it.

MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group
          

Two corridors part both ways from the reception, leading to the work places. They are executed differently, but both in a laconic and clever way. For example, through combination of two finishing materials, that cover not the parallel, but adjoining surfaces, the architects manage to completely transform and turn around the space, cutting it diagonally. The corridors repeat the familiar approach with perforated metal walls. Though the “bubbles and water drops” hide behind the second layer of glass, they do not have to be lit from behind – the light coming from the “open space” is enough.

MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group
 

The floor is divided in several working areas, each with its own character. The interior of the largest room of 480 m² resorts to the sea and ships theme again. The space is founded on the contrast of the bright blue floor, symbolizing the sea, and the volumetric white ceiling, playing the role of the sky. The sky draws the most of attention due to the complex constructions of corian, reminding clouds. Long, wavelike constructions visually extend the room, and besides, serve as framing for the lights and absorb sound. One of them goes down so low, that it turns into a partition, provided with storage places. Under the hanging down construction, whose outlines once again remind of marine vessels, the authors arranged a beautiful planted green area. This not only helps to diversify the space, but also to zone it, making it cozier. Both the partition, hanging from the ceiling, and the ceiling itself were developed according to the authors’ drafts.

MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


The complex ceiling in the other “open space” holds volumetric hexagonal lamps. As explained by the authors, the hexagonal shape is dominating in the room. It is repeated in the pattern of the carpet flooring with colorful hexagons and in the table constructions. For the other separate department the authors made up a more formal interior, based on the contrast of yellow and black. Here, the leading positions are given to glossy surfaces and geometrical forms.     

MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


The authors also found an original solution for the meeting rooms. It should be mentioned that color plays the main role in the office, where the key areas are executed in certain colors, which helps to find one’s way around more easily. The meeting room, just like the lift lobby, is marked yellow. The bright yellow glow can be seen from the corridor through the matt translucent walls. This glow appears due to the yellow carpet flooring. Apart from that, the room looks reserved. Lamps and a projecting prismatic black wall with a large TV screen in its center make the room a bit more futuristic.    

MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group
 

The second reception is arranged before the MRTS Holding zone, where the management offices are. Their interior, with the emphasized high-status character, differs greatly from the stylistics of the whole office. That is why, the reception zone became a sort of connecting, transitional link. Here, instead of modern, synthetic materials, dominating in the interiors of the employees, the architects apply natural wood; the forms become softer, the furniture – traditional. All walls of the room are clad with wood; the reception stand is also wooden. White matt and black glossy MDF panels serve only to highlight the noble texture of wood.      

Light plays a significant role in the formation of the space: multiple dots of light are built in the ceiling, the walls are underlined with linear lighting that traces the pattern of the panels on wooden surfaces. The company’s logo is also glowing on the reception stand. Another noticeable room in this office is the main meeting room with a large floor-to-ceiling window. The dominating accents here are the white table of corian and an “island” of green plants in the center. A big square “window” made of MDF panels is fixed on the ceiling and colored in yellow gloss.

MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group


MRTS Office. Implementation, 2015 © Arch group
 

The hard and not very poetic work of the client inspired the architects to create a romantic and, at the same time, austere and practical interior, which became an icon of the company. The architects are convinced that the versatile interior that they got in the end fully reflects the modern spirit of the company, its unconventional approach to business, special care for the environment and advanced technology. The employees, who call the new office their home, agree with it as well.   
MRTS Office. Implementation, 2015 © Arch group
MRTS Office. Implementation, 2015 © Arch group
MRTS Office. Implementation, 2015 © Arch group
MRTS Office. Implementation, 2015 © Arch group
MRTS Office. Implementation, 2015 © Arch group


08 June 2016

Headlines now
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.