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Office for high technologies

This year one of the winners of the Best Office Awards became ABD Architects project of the Siemens corporation Moscow office.

28 July 2011
Object
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Object:
Siemens office in Moscow
Russia, Moscow, Bolshaya Tatarskaya str., 13

Project Team:
M.Gumankov, F.Raschevsky, I.Prisedskaya in cooperation with I.Sazhin, A.Ionina

2009 — 2009 / 2010 — 2011

Project management:Turner & Townsend; Construction: Mercury; Engineering design: Metropolis
"Design in accordance with LEED gold certification standards and interior with some peculiar Russian motifs – were the main clients’ requirements” - said Michael Gumankov, the chief project architect. In other words, the architects had to combine energy-efficient technologies and the national Russian spirit – truly a challenge, but ABD Architects managed it brilliantly. First of all, authors of the project organized brainstorming session in order to find a symbol of “Russianness”. Such commonplace versions as matreshka doll and balalaika, gzhel paintings or hohloma were rejected at once, but the architects realized they had to find an image popular no less as mentioned ones. As a result, they chose birch trees. Michael Gumankov, Fedor Raschevsky and Irina Prisedskaya came up with the idea to feature thin white trunks so typical for the central Russia using glass frosting technique. The other important requirement was the design of atrium, which they asked to turn into recognizable corporate image space. On the plan this atrium has a shape of a much stretched rectangle. The architects tried to overcome the strong dictate of right angles and lines. This is why there appeared diamond-shaped benches and boxes for plants, the floor was divided into curved segments of different colors. In the end of the atrium the architects established a multimedia wall, bar and raised floor. ABD architects describe planning of the main office part as "total open space”. And they do not overstate: the four small staircase-elevator blocks with WC facilities, dressing rooms, and portable archives “fix” the corners of the atrium rectangular space. The rest space of each floor is given to work places. The color palette of the office floor is soft - gray floors, light wooden tables, matte glass. Color accents are focused in public areas. There are mini-meeting rooms, recreational areas with bright acoustic high back sofas, coffee-points. Initially the architects wanted to give each floor its own color, but opted for alternation of two colors – green (even floors) and orange (odd floors).


Object:
Siemens office in Moscow
Russia, Moscow, Bolshaya Tatarskaya str., 13

Project Team:
M.Gumankov, F.Raschevsky, I.Prisedskaya in cooperation with I.Sazhin, A.Ionina

2009 — 2009 / 2010 — 2011

Project management:Turner & Townsend; Construction: Mercury; Engineering design: Metropolis

28 July 2011

Headlines now
Grace and Unity
Villa “Grace”, designed by Roman Leonidov’s studio and built in the Moscow suburbs, strikes a balance between elegant minimalism and the expansive gestures of the Russian soul. The main house is conceived as a sequence of four self-contained volumes – each could exist independently, yet it chooses to be part of a whole. Unity is achieved through color and a system of shared spaces, while the rich plasticity of the forms – refined throughout the construction process – compensates for the near-total absence of decorative elements.
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.