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Палладианство: хорошее, плохое и неожиданное

выставка Архитектура
  дата: 09.09.2015 - 09.01.2016
  страна: Великобритания
  город: Лондон
  место: RIBA
66 Portland Place
London
W1B 1AD
UK
  организатор: RIBA (The Royal Institute of British Architects) – Королевский институт британских архитекторов
  ссылки: Страница выставки на сайте галереи
  Palladian Design: The Good, the Bad and the Unexpected
  Андреа Палладио – единственный архитектор, давший свое имя стилю, который уже более пятисот лет используется во всем мире. Выставка представит творчество самого Палладио, а также архитекторов палладианства. Здесь можно будет проследить этапы зарождения стиля, его эволюции и современного бытования. 
 
Андреа Палладио. Проект дворца (1540) © RIBA Collections
Андреа Палладио. Проект дворца (1540) © RIBA Collections
Эдвин Лаченс. Дворец вице-короля в Нью-Дели (1912) © RIBA Collections
Эдвин Лаченс. Дворец вице-короля в Нью-Дели (1912) © RIBA Collections
пресс-релиз:
The Renaissance architect Andrea Palladio is the only architect who has given his name to a style; one that is still in use around the world after nearly 500 years. From the US Capitol to a 21st century Somerset cowshed Palladian Design: The Good, the Bad and the Unexpected introduces Palladio’s design principles and explores how they have been interpreted, copied and re-imagined across time and continents from his death in 1580 right up to the present day.

Focusing on his legacy, RIBA’s exhibition explores how architects such as Inigo Jones and Lord Burlington turned Palladianism into a national style. The style was adopted in the design of houses, churches and public buildings around the world from New Delhi to Leningrad. Palladianism became so widespread that it seeped into peoples’ unconscious references and desires – elements were found popping-up in American Negro Churches and terraced housing and homes in the UK.

The 20th century saw a revival of traditional Palladian mansions while the 21st century has seen his design principles being utilised in a more abstract way. The exhibition asks many questions about what makes a building ‘Palladian’ – does a building have to look classical to be Palladian? Is it the design principles or the social and political connotations of tradition, power and establishment that have led to the enduring popularity of the style?

The exhibition is structured chronologically around three themes: revolution, evolution and the contemporary. It includes 50 original works, including drawings, models and busts.

The exhibition coincides with the 300th anniversary of the publication of two books key to the spread of Palladianism worldwide – Giacomo Leoni’s first full translation into English of Palladio’s I Quattro Libri dell’ Architettura and Colen Campbell’s survey of English architecture Vitruvius Britannicus, both published in 1715. These books paved the way for a flood of cheaper pattern books that enabled anyone, from Russian royalty to a American carpenters, to create Palladian designs.


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