1-я премия 5000 €, 2-я премия 2000 €, 3-я премия 1000 €. Приз хакатона 1000 €. 5 золотых упоминаний (членство в TerraViva), 10 почетных упоминаний (участие в следующем конкурсе организатора)
LUCIANO CRESPI, Politecnico di Milano [Milan, Italy]
ELISA BATTILANI, Cream Estudio [Barcelona, Spain]
ARTUR MC CLEAN, SGA [Barcelona, Spain]
LUIS GALLEGO PACHÓN Pachón-Paredes [Madrid, Spain]
VIRGINIA THEILIG, FAPyD [Rosario, Argentina]
DIEGO SERRANO ROSADO, Etsatopia [Valencia, Spain]
JOSE LUIS PEREZ HERMO, Coop-Himmelb(l)au [Austria, Vienna]
организатор:
TerraViva S.r.l. (Италия)
ссылки:
Bodegas Vinival – Architecture Competition
Конкурс приглашает участников переосмыслить винодельню Vinival, расположенную на побережье Валенсии. Построенная в начале 1960-х, сегодня она представляет собой заброшенный индустриальный комплекс. Участникам предлагается вдохнуть в него новую жизнь, сохранив архитектурное наследие и интегрировав объект в городскую ткань, чтобы создать открытое, доступное и социально значимое пространство. Отдельный приз учрежден в честь студенческого хакатона, прошедшего ранее в Валенсии и положившего начало этому конкурсу.
Set just behind the beach within the agricultural landscape of La Huerta (Municipality of Alboraya), the Antiguas Bodegas Vinival stand as a compelling example of the region’s industrial wine-making heritage.
Built in the early 1960s, the complex operated for decades as a key site for local wine production and distribution, before ceasing activity in the late 1990s. Though no longer in use, it remains deeply embedded in the collective memory of the area: a quiet witness to years of oenological commerce and community life.
The structure is defined by its generous interior spaces, designed to accommodate all types of industrial machinery. Large open-plan halls create a sense of spatial freedom, while double-pitched roofs and repetitive structural bays give the building a clear geometric rhythm.
Constructed with a mix of traditional techniques and robust mid-century materials, the Bodegas reflect the balance between utility and craftsmanship that characterized much of Valencia’s rural industry during that period.
The aging textures of its façades, the exposed brickwork, the wooden trusses and the filtered light entering through clerestory windows, all contribute to the site’s quiet yet powerful character. Though time has left its mark, the building’s structure remains solid and highly adaptable, offering excellent potential for rehabilitation and adaptive reuse.
Its orientation, proportions and materiality make it uniquely suited for transformation, while its original layout and spatial language offer a strong foundation for architectural interpretation.
The Competition
This competition invites architects, designers and enthusiasts to reimagine the Antiguas Bodegas Vinival as a dynamic cultural space dedicated to the spirit of Las Fallas: the festival of fire, creativity and identity at the heart of Valencia’s traditions.
Participants are asked to explore the dialogue between memory and transformation, breathing new life into a space once devoted to wine production and now poised to become a vibrant center for culture, community and celebration.
This project calls for a site-specific intervention that embraces the existing character of the Bodegas while interpreting the energy and playfulness of the fair. The aim is not to replicate the festival, but to create a permanent architectural homage to its values: creation and destruction, satire and craftsmanship, tradition and reinvention.
Participants are encouraged to think beyond conventional museum or gallery typologies. This space should be designed to be active and alive seven days a week, capable of hosting exhibitions, workshops, performances, conferences and moments of collective gathering, both indoors and in the surrounding public space.
The concept should be flexible, inclusive and conceived with the same mix of imagination and irreverence that defines Las Fallas themselves.
The Project
The transformation of the Antiguas Bodegas Vinival is envisioned as the creation of a dynamic cultural hub, a space rooted in memory yet open to reinvention.
Participants are invited to work with the building’s existing character - its expansive volumes, repetitive bays and generous natural light - as the foundation for a design that embraces both continuity and change.
Rather than erasing the past, the intervention should reinterpret it, using the architectural language of the Bodegas as a canvas for new ideas and programs that reflect the spirit of Las Fallas. Designers are encouraged to intervene both inside and outside the building.
The surrounding site is extensive and will be cleared of the existing structures, offering a unique opportunity to activate these outdoor areas through landscape and urban design.
These exterior interventions could include plazas, gardens or public installations serving as gathering places and enhancing the site's connectivity. With the surrounding structures cleared, participants are encouraged to design open and inclusive spaces, particularly by creating a welcoming entrance toward the beachfront and integrating symbolic areas that commemorate the cultural and historic significance of Las Fallas.
Inside the Bodegas, only the main structural skeleton is required to be preserved. The existing wine silos and industrial installations can be removed or reimagined, giving designers full freedom to define a new interior layout that supports a diverse range of functions.
The project should propose a rich and flexible spatial configuration, capable of hosting both fixed and temporary exhibitions, workshops, performances, conferences and communal celebrations.
To foster a daily rhythm of use, the design may include informal zones such as a café or bar, study areas, a small library, and co-working spaces. Workshop areas, classrooms, and open studios would allow for hands-on learning and production, keeping alive the festival’s artisanal roots and community spirit.
Flexibility should be approached architecturally: through movable walls, modular partitions, retractable elements and stages that adapt to different scales and types of events. New volumes may be added, provided they remain in respectful dialogue with the existing structure, either by contrasting it boldly or by echoing its forms and proportions.
The goal is to create a seamless interaction between architecture and landscape, between old and new. The renovated cultural center should not only pay tribute to Las Fallas but become an active space where its creative legacy can continue to evolve and thrive, inside and out.
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