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Городской стул: переосмысляя уличную мебель

конкурс международный открытый
  dead-line регистрации: 14.01.2022
  dead-line подачи проектов: 15.01.2022
  тема: Архитектура
  страна: Индия
  открыт для: профессионалов и студентов
  регистрационный взнос: да
  сумма: от €60
  награда: призовой фонд - 200 000 рупий
  организатор: Archasm
  ссылки: Официальный сайт конкурса
  Urban Chair 2.0 Competition
  От участников ждут «умопомрачительных» идей по созданию уличной мебели – стульев, шезлонгов, скамеек, передвижных модулей для городских парков, площадей и других общественных пространств. Такая мебель должна быть не просто функциональной и эстетичной – она должна стимулировать людей к общению и взаимодействию.
 


Источник: archasm.in
пресс-релиз:
Public/Street furniture are like the art pieces on any cityscape canvas. They add weight to any street perspective. They play a very important role in shaping up cities. After the huge success of Urban Chair, we are back with the second edition of Urban Chair design competition and want to offer a chance to the design community to come up with mind-bending new ideas for prototypical urban furniture.

Urban Chair is a design competition with the aim of developing innovative and interactive prototypes for seaters/benches/modules that can be placed in a park, street, plaza or any other kind of outdoor socio-urban zone. Urban furniture is the link between a public space and the people encapsulated within. Community seaters are the catalyst for public interaction as they create a setting for sitting, resting and other similar activities. They are responsible for drawing people together and starting the process of interaction and dialogue.

Street Furniture is an important tool for creating a sense of identity and place making. Effective and quality furniture in a public setup creates an intrinsic relationship between people and urban-scape. Industrial zeitgeist and its mass production methods have eliminated the ‘”design” from the process of creating new furniture. Though it helped in creating a sense of continuity at a macro level, street furniture became obsolete, bleak and rigid.

The competition invites designers to create dynamic furniture to be placed in zones of social and public exchange. The product should be more than just a sitting module and offer multiple ways for users to interact with it. It should become an important symbol for the zone and stimulate greater social interaction among the people.


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