Meditating on the subject of how the new Parliamentary Center of the Russian Federation might look like, the team of architects headed by Alexander Asadov and Karen Saprichyan proposed to build, within the framework of Moscow City, a building with a golden niche on the main facade and a giant sphere of the congress hall suspended inside of it.
For the record, we will say straight away that this
project will not be implemented - it relates to the list of experimental
developments that our authors are so fond of. Their portfolio has in it quite a
few of such proposals and concepts - the kilometer-tall TV-tower or the
recreational complex "Mirax-Garden", so much remembered by many
people. The architects themselves call these projects "Alternative
Moscow", appreciating the opportunity to let their imagination go free in
terms of how the Russian capital might have looked like, had it not been for
the ball and chain of the construction restrictions and other limitations. As
for the customers, they, in turn, fully appreciate Alexander Asadov's readiness
to think out of the box and look into the future (of this particular city and
of architecture in general) with optimism, and this is why the architects get such
proposals on a regular basis. This time the "alternative reality"
theme came in the form of placing the Parliamentary
Center in the place of the unfinished
building of Moscow Government in Moscow
International Business
Center.
As the architects themselves explain, this idea came
up last fall, at the point when it became clear that the territories of the
"New Moscow" are not ready, in terms of their infrastructure, to
accommodate for the large numbers of federal agencies. As is known, the
Deputies of the State Duma were also against moving beyond the confines of the
Moscow Ring Road, and thus the capital started searching for an alternative
site for the Parliamentary
Center. One of the
options was duly represented by Moscow
City business center
where a large site is still lying idle - the one that was once allotted for the
construction of the capital's city council. Actually, the city council building
has been partially erected (the construction work died down back in 2010, first
because of the global crisis, and then it stopped forever because the city
council opted out of moving to the new place at all), so, as their starting
point, the architects got quite a specific task - make analysis as to whether
this suspended construction could at all be finished to fit the needs of the
federal power. The architects were to make it into the existing construction
blueprint, engaging the already-built underground part of the complex, and at
the same time they were to design a building that would be simultaneously
spacious and dramatic-looking.
The construction site of Moscow International
Business Center
is quite familiar to the Asadovs. Back in 2003, they took part in the tender
for the building of Moscow City Council, and in 2004 they designed, in a nearby
area, a high-rise business center in the shape of a tower widening out at the
top and "giving birth" to yet another building. Returning to the site
ten years later, the architects deliberately chose a different tactic proposing
not the vertical centerpiece but a dramatic composition of "volume within
a volume". “We opted out of designing a skyscraper for a whole number of
reasons - Alexander Asadov explains - First of all, there are far too many of
them in Moscow City as it is: in the cityscape this
district looks like a stockade of verticals, and it really made no sense adding
yet another "pole" to it. And, second of all, the very functional
program of the designed center made us create several volumes - due to the fact
that this complex was to unite the upper and lower Houses of Parliament".
What the authors do is assemble the Parliamentary Center
from functional blocks of various shapes and forms. This looks like a game of
3D Tetris of sorts in which blocks of a simple rectangular shape form
independent buildings of the State Duma and Federation Council, while the S and
П-shaped links form the premises for joint work of the deputies and the
members of the Federation Council, as well as the various auxiliary services.
As for the car park, it is completely isolated as a separate "brick"
that is set against the main building from behind and is connected to it with a
covered passage that serves as the continuation of the main lobby. The first
six levels of the complex are allotted for the Library of Parliament - this,
according to Alexander Asadov and Karen Saprichyan would not only be convenient
for the government officials but truly symbolic as well - the common basis for
the work of both houses would be the law-books. Besides, the square
configuration of the original building ideally served to accommodate the library
that, to be quite straightforward about it, least of all needs any experiments
with its shape and layout.
As for the structure that the architects place on top
of the library, it looks nothing like the classic skyscraper. Rather, it looks
like a window or a window frame: off a square-section tower, the authors take
away most of the corner that faces the Moskva River, as well as from the
opposite corner, and then they embellish this niche with a deep horizontal slit
in such a way that the building "looks" at the Bagration Bridge not
with a massive dull facade but with a graceful niche. The unusual form of the
opening is also enhanced with its coating - the niche is finished with metallic
panels of copper hue and glass of a similar shade. The main adornment of the
niche, though, is not even its golden lining but the egg-like volume inserted
inside of it - these are the the convention halls, one for each of the houses,
and a common one. If we look at the Parliamentary
Center from the
embankment we will get a complete illusion of this glittering flattened ball
simply hovering in the air having miraculously found itself under the
cantilever of the Federation Council block. The architects go a long way to
maintain this illusion: the covered passage that leads to the main building is
designed in such a way that it is not to be seen from any angle, while the
supporting poles that prop the sphere up from below are masked by the
appropriately set trees and the metallic-glass coating.
The height of the upper link that in fact makes the
building look like a giant window and connects the two towers into a single
whole, is three floors. Here the authors were planning to place the offices of
the support staff of the chairmen of the State Duma and the Federation council,
as well as the representatives of the Chief of State. This is also symbolic:
the ruling power structure is placed at the very top having, just in case, a
few helicopter landings handy. Oh, by the way, about the fire prevention
measures: the laconic finish of the facades and the windows that are arrayed
into thin vertical lines (at some places in pairs and in some places as
"stocks" 5-6 floors high) completely conceal the three technical
floors that allow, if necessary, for complete isolation of the library, the
premises meant for the joint work of the Deputies and the members of the
Federation Council, the fractions of the State Duma, and the committees of the
Federation Council, as well as the top echelons of power. In front of the
building, the architects make a small square that is accessed from the
Krasnopresnenskaya Embankment by a wide staircase. All this put together - the
plaza that is elevated above the river, the glittering zeppelin hovering above
it, and the frame of the high-rise golden on the inside, endow the Russian
Parliament with an image that is bright, and, possibly, even too
"progressive".
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