По-русски

​From Eight to Twenty-Five

The architecture of Kiev’s housing complex “Time” is based on a combination which is popular nowadays: an eight-story podium plus towers –this volumetric intrigue is enhanced with the play of the components of a multilevel yard. In addition, the apartment plans are thought out really well.

09 November 2017
Object
mainImg

The residential complex “Time” is being built in the Solomensky district of Kiev – behind the railway station, not far away from the center: it is 5 kilometers or a 15 minutes’ drive away from Kiev’s main Kreshchatik Street. This area has quite a few Stalin-era buildings in it –regular five-stories and palaces with columns as well – but predominantly it consists of postwar city block houses from nine to sixteen stories tall. Currently, amidst this mottled context, taking advantage of the proximity of stores, two parks, a railway station and the city center, different developers are building several housing complexes at once, 25-27 stories high; they form here a new layer of the city that can be termed as the “metropolitan high-rise” one.

This scale also refers to the “Time” housing complex, whose construction has already begun on a 0.37-hectare land plot on the Vasilia Lipkovskogo Street. Formerly, this plot was occupied by a two-story bathhouse built back in the 1930’s and a row of garages at its back; on the whole, the plot was clogged up with outlaw construction. At the same time, it is convenient for new housing construction: there is a gym and a supermarket nearby, it takes a fifteen minutes’ walk to reach two of the city’s main parks, and there are a few universities around here as well.

Designed by ARKHIMATIKA, this complex consists of two major parts resting on a single podium, each of the two consisting of three sections of different height. According to the architects’ credo, the complex belongs to the “hybrid” typology: its city block corner serves to shield the private vehicle-free landscaped yard situated on the roof of the parking garage, and at the same time it stays open, shooting upwards with four towers – all of this helps to make up for the considerable height of the complex and bring it, by using the space and volumetric techniques, to the following layout: an eight-story city-scale basis plus a higher buildup.

"Time" housing complex © ARCHIMATIKA
"Time" housing complex © ARCHIMATIKA


It should be said at this point that all the marks and levels are by no means arbitrary but are accurately calculated proceeding from the context. The eight- and nine-story houses of the sixties and seventies, situated on the opposite side of the street, have conditioned the first height restriction line: this applies to the corner unit overlooking the street and uniting two towers; the same line of eight-story height can also be traced in the elongated building that stretches into the depth of the yard. The façades of this “basic” contextual level are made of brick, and this is also something that resonates with the surroundings. The tallest towers of the complex are situated at its edges – they are prominently white, 25 stories high each one. In the central part of the L-shaped plan of the complex, there are two “compromise” towers, with brick façades, 23 and 13 stories high respectively.

"Time" housing complex © ARCHIMATIKA


Another theme is lighting and views. Here, if one is to gaze southward, the best views are those of the city suburbs, the rivers and streams, and the private houses. If one is to gaze west, it is the Solomenskaya Square and the city beyond it; in the east it is the city center and the Dnipro. These three sides are addressed by the complex with its “television” façades with their French down-to-the-floor windows, and a zigzag surface of triangular bay windows. “According to our plan, the breaks or “creases” of the bay windows on the façade will make a visual contact with pedestrians and drivers – while driving or walking past the complex these angles will deflect, creating a kinetic effect” – shares the cofounder of ARKHIMATIKA Dmitry Vasilyev.

The glittering surfaces of the “bellow” bay windows stand out like cantilevers, which turns them – if we are to look from a distance – into a semblance of “periscope” houses watching over the surroundings. The other façades, chiefly brick or white, give the volumes more of a material character and contrast with the glass zigzags, highlighting their glitter.

The apartment floor plans deserve a separate passage. ARKHIMATIKA has developed and is using its own standard for high-quality apartments, in which the effectiveness of every square meter is calculated: without any unnecessary partitions or corridors, with minimum pedestrian “runs” inside, the positioning of doors and the length of the walls being optimum for placing the furniture – in a word, the apartments are planned in such a way as to make the most of the floor space that the redirect has paid for, and eliminate any “ballast” square meters. The architects called these apartments “PRO” – and they calculated that these constitute 97% of the housing complex, for the exception of a few apartments that the architects were not able to optimize completely due the necessity to squeeze them into the volumes of the buildings. Probably, everyone will agree that this is a very good percentage of “advanced” apartments.

In addition, on the top floors, the architects have designed apartments under pitched roofs with lofts and slanted ceilings – on one of the façades they surface as two-floor ones, and on the opposite façade they surface as single floors – these are penthouses.

"Time" housing complex © ARCHIMATIKA


Yet another version of an exclusive offer is the apartments on the ninth floor of the elongated building that stands in the yard – these apartments boast spacious open-air terraces. Kiev is generally pretty warm, and an open terrace can be used most of the year.

However, what attracts attention still more than the multi-tier volumetric composition is the terraced yard situated on the roof of the parking garage. We should note here that the parking garage itself is situated not only underneath the yard but also underneath the driveway that runs along the eastern border of the complex. The two lower tiers of the 13-story building include a kindergarten for 140 children – not only with its own playground on the roof but also with an exit to the zero level. Its appearance was provided for by the requirements for land development; the kindergarten will be open to all the residents of this area – the architects specify.

The design of the three-tier yard is rather fun to look at: in the space between two buildings, there is a hanging ramp resting on round metallic supports and a stairway that leads to the second tier and further downwards, to the level of the surrounding streets. Here, in the opening between the houses, some sort of a spacious hub is formed with an overpass, a stairway, and even a skylight that lightens up some of the parking lot. There is also a small park and a small amphitheater here.

"Time" housing complex © ARCHIMATIKA


Places for peaceful recreation are separated from the volleyball field and the children’s playground by manmade knolls, in which the architects are planning to plant not only bushes but also full-size trees.

"Time" housing complex © ARCHIMATIKA


The draft ventilation of the underground parking garage – the architects stress – is routed up to the roofs of the top floors, so it will not pollute the air in the yard. Some of the children's playgrounds and sports fields are situated lower, on the zero level, surrounded by a bunch of round gazebos. From the street side, the podium will host shops and restaurants. But then again, quite near, a low-rise yet longish building of the 1930’s hosts a full-scale shipping center.

"Time" housing complex © ARCHIMATIKA


"Time" housing complex © ARCHIMATIKA


"Time" housing complex © ARCHIMATIKA


In a word, the architects took into account most of what makes up a modern housing complex: a highly-developed multilevel podium, whose substructures and overpasses produce an almost “Roman” impression, greenery and quietness of the yard securely separated from the street, apartments of different sizes, including special ones – two-level and ones with the terraces. Plus – modern façades, down-to-the-floor windows, triangular bay windows, and careful calculation of panoramic views. Let alone the geographic location – although in the Soviet part of the city yet still close to the downtown area. All these qualities fall into a rather exciting puzzle which fully meets the requirements of the stipulated housing class and the modern standards of a comfortable city with all of its levels – from the lowest “podium” up to the high-rise one.


09 November 2017

Headlines now
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.